Beatles For Sale
“Beatles For Sale” (December 1964) was The Beatles’ fourth album, following “Please Please Me” (March 1963), “With The Beatles” (November 1963), and most importantly, “A Hard Day’s Night” (July 1964). “Beatles For Sale” clearly marks the transition from cute mop-topism to . .
Dreaming
In and outside of dreamscapes, over
subconscious marine events, neither flying nor removed
from flight, written words appear in time . .
Who’s Next
‘Who’s Next’ was released first in the U.S.A. in August 1971, and then in the U.K. later that same month. This, The Who’s fifth studio album, is widely regarded as one of the greatest rock albums of all time. It has achieved both critical acclaim and financial success . .
The Jam - Sound Affects
Paul Weller has stated that 'Down in the Tubestation at Midnight' started off as a poem. As early as 'All Mod Cons' fans were sending Paul poems, some of which Paul published in a fanzine. Paul has been influenced by poetry for a long time . .
Lennon v McCartney
Please note that the following review of the album ‘Lennon v McCartney’ is a review of an album which does not actually exist in this world (although there are many possible worlds in which it does exist). The fact of the album’s non-existence in this world is beyond our control.
Joni Mitchell – Blue
Towards A Theory Of Cymbalism
All I Want
A statement of desire. Let us begin by noting that words are not themselves the ultimate objects of desire; rather, we find that words are found wanting. What is it that words desire? Form, content, syntax, semantics, structure? Again, these words are not themselves the objects of desire – they too are found wanting. No mere symbol is the obect of desire of another symbol. As against this, it is our contention that words are cymbals, which desire to crash with each passionate heart-beat. That is to say, words that are found wanting have desires (not objects) as their object.
